Funny Bone

Images courtesy of Britt/State Journal-Register, Britt/The State Journal-Register, Sherttius / Boulder Camera, and CAM/Ottawa Citizen/Copley News Service, Mike Smith/Las Vegas Sun/King Features Syndicate, and Jones/Creators Syndicate

Original Source: Time

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Google expressed disappointment and privacy groups voiced outrage Thursday after a judge ordered Google to give entertainment giant Viacom details of video-watching habits of visitors to its popular video-sharing website YouTube. On Tuesday US District Court Judge Louis Stanton backed Viacom's request for data on which YouTube users watch which videos on the website. Viacom is seeking the data as potential evidence for a billion-dollar copyright suit against Google, which Viacom charges acts as a willing accomplice to Internet users that put clips of Viacom's copyrighted television programs on YouTube.

The US court has ordered Google to hand over the "logging database" which is updated each time a video is watched on YouTube. The database contains the unique login ID of the user who watched it, the time when the user watched it, the IP address (unique online identifier) of the computer used to watch the video and the identifier for the video. The database is stored on live servers at Google and equates to 12 terabytes of storage. The judge also ruled that Google should divulge the details of every video that has ever been removed from YouTube, for whatever reason. If you've ever watched a video on YouTube then the details of that viewing will be stored somewhere in that database. This copyright case might be taking place in the US but it would appear the logging database makes no distinction between users in different countries.  read more »

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Groundbreaking yet familiar, part romance, part sci-fi, Pixar's latest work is wonderful and full of wonder. - Kenneth Turan, Times Movie Critic

If Pixar Animation Studios has an enviable record of consistent success -- and with a worldwide box-office gross of $4.3 billion from its eight films, it certainly does -- it's because the company has an uncanny gift for pushing things further without pushing too far. Pixar's adventurous new film, the one-of-a-kind "Wall-E," shows how it's done. Daring and traditional, groundbreaking and familiar, apocalyptic and sentimental, "Wall-E" gains strength from embracing contradictions that would destroy other films. Directed by Pixar stalwart Andrew Stanton, who co-wrote and directed the Oscar-winning "Finding Nemo," "Wall-E" is the latest Pixar film to manage what's become next door to impossible for anyone else: appealing to the broadest possible audience without insulting anyone's intelligence.

The origins of "Wall-E's" story, as related in the film's teaser trailer, go back to 1994, when Pixar honchos held a now-celebrated lunch to spitball story ideas, which became "A Bug's Life," "Monsters, Inc." and "Finding Nemo." "Wall-E" is the last of that group to get made, in part because elements of it are so unconventional. For one thing, the film's exceptional first half hour or so lives and breathes on screen with just about zero human dialogue. But with the storied Ben Burtt, who did the job on "Star Wars," creating all kinds of noise as the film's sound and character voice designer, as well as music by Thomas Newman, you won't miss those words at all. You also won't miss them because the world of "Wall-E," created by production designer Ralph Eggleston and his team, with the advice of high-powered cinematography consultants Roger Deakins and Dennis Murren, is so remarkable. The time is 800 years in the future and the setting is our own Earth, but it's not an Earth anyone would want to recognize.

Not to put too fine a point on it, our planet is a disaster, a bleak and disheartening ruin where every available surface is covered by towering skyscrapers of trash. It got so bad that Buy n' Large, the conglomerate that has somehow taken charge of the planet, leaned on the entire human population to leave with a "space is the final fun-tier" campaign that featured slogans such as, "Too much garbage in your face? There's plenty of space out in space." Though not likely the main reason the film was made, "Wall-E" can't help but send out a powerful and even frightening environmental message. Though G-rated, its dystopian vision (shot by Jeremy Lasky and Danielle Feinberg) of what the perils of consumer excess have in store for the planet is unnerving without trying too hard.

One reason "Wall-E" is as audience-friendly as it finally is is the presence of the endearing title character, whose name is an acronym for Waste Allocation Load Lifter -- Earth Class. What that means in practical terms is that Wall-E is a robotic trash compactor who has been quietly doing his job attacking Earth's endless mountains of refuse for 700 years. Unless you count his pal, a nameless but convivial roach, Wall-E is the only thing still moving on the entire planet. Given all that, it's to be expected that Wall-E, whose large binocular eyes and narrow neck turn him into a squat, mechanical E.T., has developed a few personal eccentricities over the years. For one thing, he's quite the collector, squirreling away everything from old Rubrik's Cubes to light bulbs to an actual living plant.

More than that, this set-in-his-ways old bachelor robot has developed a fixation with the movies. Not really the movies, but one movie in particular, the only video he's got. It is, of all things, "Hello, Dolly!" and screenwriters Stanton and Jim Reardon had the shrewd idea of opening the film with the jaunty lyric, "Out there is a world outside of Yonkers," as the camera somberly pans both the universe and the ruins of Earth. What really entrances "Wall-E" about "Hello, Dolly!" is the spectacle of people expressing emotion and connection by holding hands. Not a word is spoken, but we understand that this lonely Robinson Crusoe, like so many movie creatures before him, would like nothing better than to hold hands with another entity. And then it happens. A spaceship lands in Wall-E's neighborhood and leaves behind a sleek white oval-shaped probe-droid with bewitching blue eyes named Eve (for Extra-terrestrial Vegetation Evaluator), sent to Earth to find signs of life. High tech and armed with a laser weapon that pulverizes anything in sight, Eve fascinates Wall-E and he nervously scuttles around after her, fearful but intoxicated by her every move.

Though this wordless section of the film, punctuated only by Wall-E's frequent and idiosyncratic croak of "Eve," is in some ways merely a set up for the second half, it is easily the most memorable and distinctive part of the film. This segment, a kind of song without words, is a world-creating work of pure imagination that has been thought out to the nth degree.

"Wall-E's" second half involves the dauntingly overweight humans who have sent the probe (and who are shrewdly not pictured in any publicity material.) They've lived for centuries on a cruise liner-type spaceship called the Axiom run by a barely functional captain (Jeff Garlin) in thrall to a Hal-type eminence called Auto, voiced, in a nod to "Alien," by Sigourney Weaver. This part of the story gets increasingly familiar and sometimes borders on the predictably sentimental. But along with these inevitable elements of calculation, "Wall-E" never loses its sense of wonder: wonder at life, wonder at the universe, and even wonder at the power of computer animation to create worlds unlike any we've seen before. How often do we get to say that in these dispiriting times?

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Images courtesy of Disney/Pixar, mlive.com, hamptonroads.com

Original Source and Video: LA Times

Special Gallery:Showbiz 7s: Movies that inspired 'Wall-E'

Related Article: :'Wall-E' draws design inspiration from Apple

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George Carlin, an extraordinary standup comedian whose dark social satire won him multigenerational popularity and a starring role in the most famous broadcast obscenity case of modern times, died Sunday of heart failure in Los Angeles. He was 71.

Late last week the Kennedy Center announced he would receive its annual Mark Twain prize for American humor this November. The TV network Comedy Central in 2004 named him the second best standup comedian of all time, behind Richard Pryor.

Carlin became one of the most popular standup comedians in America in the 1960s and early 1970s through programs like "The Ed Sullivan Show." Carlin was one of the first comedians to dress "naturally" for a standup routine, in jeans and a beard, and his most famous routine became "Seven Words You Can Never Say On Television."

"He was a genius, and I will miss him dearly," Jack Burns, who was the other half of a comedy duo with Carlin in the early 1960s, told The Associated Press. "He had an amazing mind, and his humor was brave and always challenging us to look at ourselves and question our belief systems, while being incredibly entertaining. He was one of the greats," Ben Stiller said.

The comedian, who toured college campuses for years and made a name for himself delivering biting social commentaries, had released 22 solo albums and three best-selling books, including "Brain Droppings," a collection of essays and routines, and "Napalm and Silly Putty," a collection of his stand-up material. Both won Grammy awards. His third book, "When Will Jesus Bring the Pork Chops?" was nominated for a Grammy. He earned several gold comedy albums and five Emmy nominations.

Carlin first appeared on radio in 1956 at age 19, while serving in the Air Force. He took a number of TV and movie roles over the years, introducing himself to a new generation of fans with the "Bill and Ted's Excellent Adventure" series and an even newer generation with children's shows like "Thomas the Tank Engine." He did voiceovers in films that included "Cars" and in 1993 he got his own sitcom on Fox, "The George Carlin Show." He played George O'Grady, a New York cab driver, and the show ran 27 episodes. In the 1990s he appeared in the Barbra Streisand- Nick Nolte movie "Prince of Tides." Other film roles came in "Bill and Ted's Excellent Adventure" and "Dogma," with Matt Damon and Ben Affleck. He was the first host of "Saturday Night Live" and appeared some 130 times on "The Tonight Show."

The death of his wife of more than 30 years, Brenda Hosbrook Carlin, on Mother's Day 1997 was particularly hard for Carlin. "See ya Dink," he wrote on his Web site. "Miss you a lot."

Last year, Carlin released "George Carlin: All My Stuff," a 14-DVD collection of his HBO specials from 1977 to 2005. He had shown no signs of slowing down. Just last week, the John F. Kennedy Center for the Performing Arts announced Carlin would be awarded the 11th annual Mark Twain Prize for American Humor. The center is scheduled to honor Carlin at a tribute performance by former colleagues on Nov. 10, which will be broadcast later on PBS.

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Photos courtesy of LA Times, The Money Times, Reuters/Mario Anzuoni, Lisa Falzon, Galella/WireImage

Original Source: NY Daily News and LA Times

Image Gallery: George Carlin 1937-2008

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Recently, our 19-year-old daughter started hunting for her first real job. She spent an afternoon filling out application forms, leaving them on the kitchen table to finish later. As I walked by, a section of the application on top jumped out at me. Under “Previous Employment” she wrote, “Baby Sitting.” In answer to “Reason for Leaving,” she replied, “Parents came home.”

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A rabbi, a priest, and a minister walk into a bar. The bartender looks up and says, “Is this some kind of joke?”

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A guy shows up late for work. The boss yells, "You should've been here at 8:30!"
The guy replies, "Why? What happened at 8:30?"

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Original Source: Reader’s Digest

I am fond of pigs. Dogs look up to us. Cats look down. Pigs treat us as equals.
- Sir Winston Churchill

If the Government Stops Funding Space Exploration...

Original Source: Aha! Jokes